BUSCAR PELICULAS...
Stylized, black and white biography of Frances Farmer by author Lynne Tillman and Sheila McLauglin.
Committed
Wanda is a dominatrix who runs a gallery in a building on the Hamburg waterfront, where audiences pay for the privilege of watching her humiliate her...
Seduction: The Cruel Woman
A comedy about New York and its eccentric inhabitants. A French filmmaker comes to New York to show her film at MOMA. Fascinated by the city, she...
Hotel New York
Agatha is an international lawyer, Jo a filmmaker. The two women are lovers. While Jo is on the road showing her films, Agatha discovers and reads...
She Must Be Seeing Things
After Roy's demise, five friends try to reconstruct his life by reading through the late editor's notebooks - only to face some very personal demons....
The Holy Bunch
Embodying Rainer’s aesthetic rigor and wit, the film combines fiction and documentary, script readings, dance snippets, still photos, and...
Lives of Performers
A film director confides in his interlocutor. He talks about the working process, about creative blocks, about artistic crises and expressive forces....
Streetscapes [Dialogue]
Rainer’s landmark film is a meditation on ambivalence that plays with cliché and the conventions of soap opera while telling the story...
Film About a Woman Who…
Not to be confused with Luc Besson's film of the same title from the same year. Documentarian Andrew Horn's second narrative feature.
The Big Blue
An archaeologist and a weapons designer, who knew each other in a previous life as a filmmaker and a psychoanalyst, meet at an excavation site in the...
The Last City
“There is no Here here.” A character simply named Old White Male (John Erdman) holds court in the lobbies of various apartment buildings...
The Lobby